ARTICLE - THE GAZETTE 5 avril 2005

ENTREPRENEURS
Young musicians hope to score

Carrefour Musical
Three performers employ youthful energy to combine passion and designs on career

by FRANÇOIS SHALOM

Ask yourself what you were doing at 20.

Then have a chat with Jonathan Séguin-Cabot, 20, Pierre-Alexandre, 21, and his brother Jean-Sébastien, 23.

That should cure pretty well anyone of grousing about the new generation being lazy and spoiled.

The trio lives, breathe and radiate music.

They listen to it all day long, play in a band, worked at Archambault's Anjou music store, talk music all the time, taught music, read the trades and are proficient in several instruments each, all three having taken piano lessons from an early age.

So what could have been more natural than launching a music business after graduating from CEGEP in-wait for it-music?

Jonathan, guitarist, Pierre-Alexandre, bass player and Jean-Sébastien, drummer in their band, Myrage, often talked long into the night about combining their passion with a fulfilling career.

Thus was born Carrefour Musical  in Pointe-aux-Trembles, a one-step centre for all matters musical: instrument lessons, bans practice, CD recording, buying or selling instruments or learning techniques about the growing trend of home recording. Their youthful energy, single-mindedness and resourcefulness have overcome all the obstacles thrown in their way so far-notably the incredulity of bankers whenever they'd show up at a meeting.

«When they saw us in person, some of them wouldn't even open our business-plan folder, » Pierre-Alexandre recalled.

«They thought it was a 'youth trip', a vanity thing that would pass quickly, » his brother, Jean-Sébastien, added. «They understood nothing».

Determined, the three took a course to start a business.

With the help of some regional and mayoral bursaries to aid young entrepreneurs, loans from the Caisse d'écconomie Desjardins de la Culture, and, it must be said, from mom and dad, they set about finding a suitable venue.

Yeah, we built this ourselves(with friends and relatives),» Jean-Sébastien and Pierre-Alexandre noted matter-of-factly recently at their freshly painted premises, where the brothers' mother Ginette is the receptionist- and who bought the building to help her sons now and her own retirement fund later.  

«It meant 18-hour days, seven days a week, from July to September, but it was worth it»,   Jean-Sébastien said.

The three floors look professionally finished, even classy, with polished hardware floors and carpeting, all the current ¨ in¨ colors, maroon, burgundy, pewter and Arizona earthen hues, on the walls.   The airy reception area leads to a corridor alongside which a row of doors open into sounds-proofed instrument-practice mini-studios.

Retour en haut

Jonathan Séguin-Cabot, Jean-Sébastien Goyette and Pierre-Alexandre Goyette of Carrefour Musical have a message for high school dropouts: Get involved again.

Musical
'Our passion is music', but the engine behind this is business'

But the pièce de résistance is the real recording studio upstairs, complete with isolators for a singer, undulated ceiling for better acoustics and a slightly raised platform on cushions for the drummer, the better to absorb sound vibrations.

Launches last September, the centre now has 130 students weekly and 134 teachers, or about one-third of its capacity of 400 to 500 students.

This month, Carrefour Musical will begin the recording lessons after the last few finishing ouches to the studio are done.
The competitors are the well-known centers, said Pierre-Alexandre, including Institut Trebas and Musitechnic, where training can run up to $15,000 or $20,000.

« It's highly structured, which most students don't need, » Jean-Sébastien argued. «We're going to be much more condensed, and much more personalized. »

Isabelle Leduc, general manager of Musitechnic, replied that comparisons between her institution and many such start-ups offering musical services «are like comparing a dépanneur and Loblaws».
«We charge $15,000 for 11 months, but that's for 705 hours of training (compared with 60 for Carrefour Musical), » Leduc said.
«But above all, we've been recognized for 17 years and are accredited as a private college by the department of education. »
«We'e in two different worlds» she said.

Kevin Thiffault, a 17-year-old whiz on ¸speed-metal electric guitar, likes Carrefour Musical's personalized touch.
« Jonathan was my teacher before, so when I heard he opened the Carrefour, I jumped at it, ¸the secondary-school student said. »
« This is my best school yet. I like the organization, the welcoming feel, the warmth of the place. »
« I feel like I'm with friends here. I'm having some personal problems, but every time I set foot in the place, it boosts my morale. When I leave my course on Tuesday nights, I'm already thinking about the next session. »

Said Jessica Tardif, also 17: « I've taken singing lessons at several other places, and I'm still amazed at this place. »
« Here, it's try and try again until you get it. At the other schools it was always - Well we tried and it didn't work, so that's it, we did our job. »

« Their approach belies the partners' love of music », she added.

When the recording studio opens, Carrefour Musical will offer two-hours-a-week, 30 weeks courses for $1,500, one-tenth the price charged by their rivals.

« And icinsist on the fact that we're all-inclusive, unlike other schools, » Jean-Sébastien added
« our price includes taxes, there are no hidden fees, and we will not require you to buy the music sheets from us at an exorbitant price. »

The two hours will be split between theoretical and practical, responding to the needs and expectations of all but a handful of students.

« Almost no one needs to know all the details the schools teach, » said Séguin-Cabot, who has the most studio experience of the three.

At the end of the course, students will have a recording project, followed by an evaluation.

In due course, the music aspects will be supplemented by broadening their community appeal, most particularly via a cultural café.

« We want to tell school dropouts they can get involved again, » Pierre-Alexandre said. « Those who are not technically proficient, but who are interested in dance, painting, writing or music. »

« You may be the best musician or writer in the world, » he said, « but artists tend to be solitary types, and if you're working away in you're basement, it's hard to meet kindred spirits. »

That project won't see the light for at least a year or two, but in guise of a start, Carrefour Musical already hangs pictures on its walls from local artists.

As to which comes first, the music or the business, the answer is ambiguous. « We know the risks of the musicians world, » Jean-Sébastien, the triumvirate's vocal partner, said. « The hours are long, not ideal, and the lifestyle is hard. So we decided to combine the useful and the pleasure.

« Our passion is music, but the engine behind this is business. This is a lifetime project, not just for this year. »

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